Join me for a Weekend of Color in the White Mountains of New Hampshire ~ October 6th – 9th.
This years forecast calls for one of the best fall foliage seasons in a long time, and the White Mountains of New Hampshire are one of the most spectacular places to see and photograph the brilliant colors of Autumn.
Come along for 2 1/2 days during what is historically the peak of the fall color, where I’ll be taking a small number of clients to some of my favorite scenic destinations through the White Mountains Region as we photograph the beauty of autumn in New Hampshire.
From iconic New England white steepled churches, to grand mountain vistas, I’ll share tips and techniques for capturing the brilliant beauty of autumn.
What to expect.
2 1/2 days of guiding and instruction on photographing the northern New Hampshire landscape during the most colorful time of year.
We’ll start our adventure Friday afternoon as we head out on a short and easy hike to one of the most scenic views in New Hampshire.
Then we’ll get up bright and early Saturday morning to greet the sunrise. Afterwards we’ll go over the mornings images as well as some post processing techniques using Adobe Lightroom and the Nik Collection by Google suit of plugins. (Get the Nik plugins for FREE HERE*
Then, after the mid-day break to rest, recharge, and get a bite to eat, we’ll head back out until sunset.
What to bring.
Camera, – any DSLR, mirrorless, or advanced point and shoot will do – as long as it can be controlled manually or in aperture priority mode. I strongly advise learning how to change the various settings, Shutter Speed, Aperture, ISO, etc., BEFORE you arrive for the workshop.
Wide angle zoom lens.
Lens filters – if you have them, especially a good quality circular polarizer is highly recommended.
Backpack – a small day pack or camera backpack is fine.
Shoes with good traction – there will be light to moderate hiking on uneven surfaces throughout the weekend.
Headlamp – nothing fancy, but we will be walking in the dark either before sunrise or after sunset.
If you have any further questions about what to bring feel free to use the Contact page to get in touch or leave a comment below.
Your investment in this weekend of foliage photography is $725 for the full 2 1/2 days.
New For This Workshop, Lodging is included! That’s right, free lodging. I’ve rented a house for the weekend so all participants can be under one roof. This workshop coincides with the Columbus Day holiday weekend, and for any of you who have tried to book a room during this peak foliage viewing weekend the cost of the workshop alone is less than what you may expect to pay for two nights lodging in the North Conway area.
Space Is Limited, so don’t miss out! Contact me to reserve your spot today!
*Nik plugins have been an integral part of my post processing workflow, however Google has chosen to no longer support or offer updates to these fantastic image enhancement tools. As such while they still work with the latest version of Lightroom, they are only supported in Photoshop up to CC 2015.
Structure and Detail, Shadow and Light.
Bald Head Cliff, Cape Neddick, Maine.
Camera: Fujifilm X-T2
Lens: Fujinon XF16mm F/1.4
Settings: ISO 400, F/4, 1/750 sec.
Fuji RAF file converted to .DNG using Iridient X-Transformer, Velvia film simulation applied in Lightroom. No other post processing performed.
For this weeks WordPress Weekly Photo Challenge.
This past weekend I explored Thompson Falls for the first time. Had I known how beautiful this waterfall is I would have made a point of photographing here sooner. Located a short hike from the parking lot at the Wildcat ski area in Pinkham Notch, this is definitely one of the nicest waterfalls in the White Mountains.
More a series of falls rather than one single plunge, Thompson Falls seemed to go on and on. The higher I climbed the more there was to see. Give me a drizzly overcast day and I could easily spend 4-5 hours here photographing. Sadly, I had to cut this first visit short on account of darkness, but I have every intention of returning soon.
These images are but a small sample of what this series of waterfalls has to offer. With the relative ease of the hike to get here I will certainly be adding this to the itinerary of upcoming waterfall workshops.
For those interested in knowing, all of these images were captured using my Fujifilm X-T2 camera with the wonderful XF10-24mm lens. For all of the images I used Formatt-Hitech Firecrest filters, a circular polarizer as well as a 4-stop ND filter, all mounted in the Firecrest 100 filter holder.
The more time I spend with my Fujifilm X-T2 the more impressed I’ve become with it and the X-Trans sensor inside. One of the things I’ve been most amazed by is the amount of detail I’m able to recover from shadows that seem to have gone to black.
With about 20 minutes before the sun would crest the horizon off the New Hampshire seacoast it was still pretty dark when I made the above photo. So it was no surprise to find the shadow side of the monument rendering as black in the image. Even the histogram in Lightroom indicated there was no detail to be recovered.
Or so it seemed.
While I’m happy with the photo the way it is I was curious as to just how far I could push the shadows and what if any detail might be revealed.
Below is an approximate 100% crop taken from the original photo. Just for the heck of it I pushed the shadow slider in Lightroom as far to the right as it would go.
Much to my surprise there was a lot more hidden in those shadows than I thought possible. This is the same crop, only this time with the shadow slider pushed all the way to the right.
The real surprise, I wasn’t pulling all of this hidden detail out of a RAW file. All of this detail was hidden in the shadows in the straight out of camera jpeg. The second part of the surprise, there was virtually no noise introduced into the image after boosting the shadows.
Add this to the growing list of reasons why I continue to be happy with my decision to switch from Canon to Fuji.
Because they listen.
I mean really listen.
When customers request new features, they listen by releasing a constant stream of firmware updates to both new(er) as well as existing older model cameras.
I’m not just referring to adding these new features to future models either. Besides image quality, one of the things Fuji is known for is the constant release of firmware updates. More often than not these firmware updates are designed to add new features such as better and faster autofocus performance to existing models.
Not just for current models either, they are known to add new features or improve performance in older models as well.
Who else does that?
When most other manufactures seem hell bent on forcing you purchase the newest model in order to get the latest list of features, Fuji is content keeping their customers happy by improving older models as well as the newest high end models. My guess is they know that by treating their customers right and keeping them happy those customers are highly likely to upgrade to the newer models at some point anyway.
Case in point the camera that started my journey with Fuji, the Fujifilm X-Pro1.
I purchased mine used back in October, roughly four years after its initial release. Known for great image quality though having autofocus performance that can generously be described as glacial, the X-Pro1 was and still is a great camera. However even with the release of the much improved X-Pro2 on the immediate horizon, the engineers at Fuji still saw fit to release at least one more firmware update in an attempt to improve the autofocus performance of this great little camera.
Even my current camera, the Fujifilm X-T2 which shares top of the line billing with its rangefinder style sibling the X-Pro2, has received two firmware updates since I bought it back in October.
Looking back to my time with Canon I can think of only one or two times, if that, that a firmware update was released, not one of which added a new feature of any kind to the cameras.
So if great image quality in a small package that’s built like a tank isn’t enough for you to consider buying one of the many great Fujifilm cameras, getting a few new features added to it long after you bought it just might.
Oh yea, those firmware updates, they’re free!
From the afternoon of Friday May 19th thru Sunday evening May 21st I’ll be taking a limited number of participants to some of my favorite waterfalls located throughout the White Mountains of New Hampshire.
Each day we’ll start off bright and early photographing at least 2 waterfalls each morning. Following the mornings outing we’ll take a mid day break for lunch and some image review.
If time allows during the mid day break we will also go over some post processing tips to ensure your finished images are works of photographic art you’ll be proud to show off.
Then in the afternoon we’ll head back out for some more flowing water action.
Guiding to some of the most spectacular waterfalls New Hampshire has to offer.
Instruction and tips on composing your waterfall images as well as camera settings to help achieve the silky ethereal look of the flowing water sought after by most waterfalls enthusiasts.
Image review and post processing tips using Lightroom and the Nik Collection of creative plugins(available for free HERE).
Meals and lodging.
Transportation to and from the North Conway, NH area.
What To Expect, What To Bring.
The workshop will take place rain or shine, with overcast drizzling weather my preferred weather for photographing waterfalls due to the nice even lighting that will make achieving good exposures a breeze. With that in mind, keep your fingers crossed for cloudy days!
All the waterfalls we’ll visit will require some walking and light to moderate hiking, so comfortable and supportive shoes with good traction are recommended.
Bring several layers, including a rain jacket, as the weather conditions can vary greatly in the mountains.
Recommended Gear List.
Camera and wide-angle zoom lens.
Spare batteries and memory cards.
Investment – $750 (payable via check or PayPal invoice)
A $150 deposit is required to reserve your spot with the balance due at least 30 days prior to the first day of the workshop.
Space on this workshop is limited. By limiting attendance to a small number of participants I’m able to provide the maximum amount of individual attention.
CONTACT me should you have further questions or to reserve your spot.
DISCLAIMER: Workshops are held rain or shine with no refunds given due to inclement weather. However should the weather be severe enough to warrant cancellation full credit will be given towards a future workshop. Credit based on amount of time lost due to weather. Loss of at least one full shooting day required to receive credit.
CANCELATION POLICY: Cancellations made more than 30 days prior to the scheduled start date receive a full refund less a $50 cancellation fee. Cancellations made less than 30 days prior to the start date will receive no refund unless the space can be filled.
I do realize that sometimes life gets in the way, so should a last minute cancellation be necessary on your part you’re not out of luck. Your workshop fee(less the $50 cancellation fee) may be applied to a future workshop.