What Now?

My Best Waterfall Photograph Ever.

This past autumn while out photographing with a private workshop client I may have created an almost insurmountable problem for myself, the problem of making a photograph so good I may never be able to top it.

As many of you know I love to photograph waterfalls, and this photograph of Crystal Cascade in the White Mountains of New Hampshire is, if not the best waterfall photo I’ve ever made, it is most certainly my favorite. No small feat considering how many and how often I photograph waterfalls.

Up Close At Crystal Cascade.


So now what?

Should I give up, knowing the likelihood of ever making another waterfall photograph this good isn’t likely to happen?


Do I simply stop photographing waterfalls altogether because I may never make another waterfall photo I like as much?

Um, no!

To me this photograph is pure motivation. Even though I may never top it, you can bet I’ll be working my hardest to do just that. After all, as good as I feel this photograph is I’m pretty sure I can top it, eventually.  🙂

Ironically this photo almost didn’t happen. The above image is of the upper section of the much larger waterfall shown below. Since it was the end of the day and I was getting tired I planned to leave my Fujinon XF50-140mm lens in the car in order to lighten my pack a little bit, instead just bringing my XF10-24mm lens. Had my client, who carried a huge backpack with every lens he owned in it to every location I took him to, not goaded me into taking it I never would have been able to make this shot. 

Crystal Cascade, Autumn

Here you can see the entire waterfall. The large boulder in the top photo can be seen at the very top of the waterfall in this photo. 




When You Take Your Camera Everywhere

Recently it’s been brought to my attention by a friend and fellow photographer that my photography has changed a bit.

Not so much in what I photograph, I’m still primarily a landscape photographer, the difference my friend noticed was in what else I’ve been photographing.

Sunlit doorway in at the end of an alley in Portsmouth, New Hampshire.


After talking about this a bit, and a quick scroll through my Instagram feed I saw that he was right.




These new types of images weren’t the result of any conscious decision on my part to make a change in the direction or subject matter I was taking my photography, nevertheless they were there. Scrolling through my Instagram still showed plenty of the landscape images those of you kind enough to subscribe to this blog or follow me on Instagram know me for, now however, interspersed among the sunrises and sunsets, the autumn foliage and snowy mountains, were images with a more urban, architectural, or “street” feel to them.

Thinking about this I soon realized why, as well a when this change started to take place.


Looking back it has been just over a year since I switched from Canon to Fuji(stay tuned, coming soon a more in-depth article on my first year using Fujifilm), and since acquiring my Fujifilm X-T2 last October I take my camera pretty much everywhere, something I rarely did with the big heavy Canon DSLR.

What having my camera with me more often than not has done has been to open my eyes to possibilities. Be it a sunlit door at the end of an alley, or a young lady enjoying a glass of wine at a local wine bar, I no longer see it, possibly briefly thinking “this would make a good photograph,” and walk on, now I’m actually  able to take that photograph while the thought is still fresh in my head.

As big. heavy, and not so much fun to lug around as my 5D MkIII was, the X-T2 is a joy to carry. It’s small size and weight makes me almost forget it’s slung over my shoulder. No longer do I wish I just left the darn thing home, now I can’t imagine going anywhere without it.

Different or not, I’m thankful for the images I’m able to capture as a result.



WPC: Reflecting

Refelcting Sunrise

Sunrise Reflection. Hampton Beach, NH

Fujifilm X-T2, XF10-24, 10mm, f/11, ISO 200, 0.4 seconds.

Additionally I used a Haida 3-stop neutral density filter to slow the shutter speed a bit in combination with a Singh Ray 2-stop reverse graduated neutral density filter to help balance the sky with the darker foreground. To keep the filters in place I used a Formatt-Hitech Firecrest 100 filter holder.

Of course the camera was securely mounted on a tripod.

(Links are provided for your convenience, I have no affiliation with the companies mentioned)

Go HERE for more interpretations of Reflecting.