R.O.Y.G.B.I.V.

Red, Orange, Yellow, Green, Blue, Indigo, Violet. 

In no particular order…

(I think I got them all. But if I didn’t I’m sure someone else HERE did.)

Forces Of Nature

Long exposure image of The Basin, Franconia, NH

Patience

 Nature has a design known only to her,

Slowly revealing her artistic intent with the passing of ages.

As the river flows, sculpting the landscape,

To the Forces of Nature even the granite succumbs.

*   *   *

Rocky Gorge, Autumn Fog.

And Now, By Popular Demand.

Over the last few years I’ve often been asked if I offer workshops. The answer has always been, “Some day.”

I’m pleased to announce that “Some Day” has finally arrived!

Whether you’re looking for a private one-on-one or a small group experience, I can taylor a workshop to your needs.

Seascapes, both morning and evening, along the rugged New Hampshire seacoast, I do that.

Or is photographing the historic charm of a classic New England seacoast town more to your liking? Let me be your guide as we walk around the Portsmouth, NH area in search of iconic New England architecture.

Waterfalls, waterfalls, waterfalls. The White Mountains of New Hampshire has some of the most picturesque waterfalls to be found anywhere.

From roadside to secluded, my June 19-21 White Mountain Waterfalls workshop and photo tour may be just the thing for you.

And then there’s Autumn.

Fall in New Hampshire is a sight to behold, with its vibrant color and mountain views, you’ll experience the spectacular beauty only autumn in New Hampshire can provide. From October 4th to the 6th I’ll be hosting a small group of photographers and helping them capture some of the beautiful color people come from the world over to witness.

For more information on rates or to reserve either a spot on one of my scheduled workshops or a private one-on-one experience, please visit my Workshop page.

As always, don’t hesitate to Contact me.

Making Better Waterfall Photos

Precipitous Plunge

Everyone loves to photograph waterfalls, by clicking HERE, or on the image above, to learn four of my most used tips for making better waterfall photos.

The Reward As Orange Fades To Blue.

Winter Light.

The view at 4,802′.

moosilauke_summit_winter_0724-Edit

There are 48 peaks on the official list of New Hampshire summits with an elevation of over 4,000 feet. Mount Moosilauke is #10 on that list. “The Moose,” is also the western most peak to be included on the list, and one I had yet to climb.

My reward for the effort, a snowshoe hike on a gorgeous brilliant winter afternoon under a clear blue sky, was to watch the sun as it set over windswept mountains and a moonlit hike back to the car.

As orange,

Winter Sunset, Mount Moosilauke

fades to blue.

Capturing Sunset, Photographer On Mt. Moosilauke

Thirds And Symmetry

The First Rule.

Know it.

Frozen Climb

One of the first “Rules” of photography that most people learn when first starting out is the Rule Of Thirds. 

When composing a photograph, visualize a grid across the scene, dividing it into thirds vertically and horizontally. Just like in a game of tic-tac-toe. For a more dynamic composition you should place your main subject at one of the intersections of these imaginary lines or along one of the lines themselves.

You should avoid placing your subject dead center in the frame. In the case of landscape photos you should also avoid placing the horizon through the center of the frame, placing it instead on or near one of the imaginary horizontal lines either 1/3 up from the bottom or 1/3 down from the top.

Pretty simple, right?

Then break it.

Cherry Pond Blue Hour Reflections

Photography rules were made to be broken.

In this case, due to the Symmetry of the reflection, placing the horizon line perfectly centered in the frame works quite well.

What other instances can you think of where you can break the Rule Of Thirds and still make a good photograph? What about using symmetry in your compositions?

Big, But How Big?

Just how grand is that landscape anyway?

Franconia Ridge From Mt. FlumeAre those mountains in the distance some of New Hampshire’s tallest, or just a few small hills? Without anything in the photo to provide a reference of scale it’s really hard to say for sure.

So what’s a photographer to do?

Simple, by incorporating something of a known size, like a person or a building into your photos you’re more easily able to give viewers a sense of scale in your image.

Fly Fishing At Sunset, Stonehouse Pond.

The fly fisherman standing in his canoe helps to give an idea of just how tall the granite cliffs along the shore of Stonehouse Pond are. (Can’t see him? Click on the image to see a larger version and look for the fisherman along the far shore towards the right side of the image).  

A lone hiker rests on his way to the summit of Mount Washington

Mt. Washington is the tallest peak in the northeast. Having my friend Glen, seen here taking a break on our way to the summit last July, gives an idea of just how big the mountain is. And how much farther we have to go before we reach the summit.

Washington And The Ravines Above Joe Dodge Lodge

Here’s another shot of New Hampshire’s Mount Washington, (the peak in the center of the frame), shown with the Appalachian Mountain Club’s Joe Dodge Lodge in the lower foreground. The lodge, the cars in the parking lot, as well as the roadway all provide scale to the mountains looming over them.

People and buildings aren’t the only thing to use to give a sense of scale. Anything of a commonly known size will work.

For more interpretations of this weeks Weekly Photo Challenge, click HERE.

Depth, Creating The Illusion.

The Problem With Landscape Photography.Lead The Way

We see the world around us in three dimensions, unfortunately our camera does not. Trying to convey the depth and dimension our eyes see with the two dimensional medium of photography can often leave the final image looking flat, without depth.

Fortunately, by using a few simple tricks when composing your photos you can effectively create the illusion of depth in your landscape images.

Converging Lines.

Falls In The Forest.

I like to use converging lines, both subtle and obvious, to create perceived depth in my compositions. In the photo above I used a rather winding interpretation of converging lines to help create the illusion of depth.

The waterfall and granite stream bank, very wide and taking up the entire foreground, then gets progressively more narrow while leading the eye deeper into the frame, eventually converging at the point where it disappears into the forest.

Railroad tracks as they appear to come together in the distance are another more obvious example of converging lines.

Rails. Pondicherry NWR

Place The Foreground In Shadow.

Odiorne Salt MarshThe human eye is attracted to bright light. By having a prominent foreground appear darker than the brighter, more brightly lit background can provide a sense of depth in your photos.

Shoot Vertical.

Moonrise Over Lonesome LakeI’ve found that by photographing with the camera in the vertical, more commonly referred to at the “portrait” camera position, can help create depth. Include a strong foreground, leading lines, and by placing the main subject in the upper third of the photo works really well to bring out the depth in a scene.

What tricks do you use to create the illusion of depth in your photos? In the mean time, check out these other interpretations of Depth.